阿细祭火民俗文化场域中的壁画艺术研究——以云南省弥勒市西一镇红万村为例

The Mural Art Research into Folk Cultural Field of the A'xi Sacrifice Fire——A case analysis of Hongwan Village in Mile in Yunnan

壁画艺术是一个民族或族群历史的积淀物,是民族文化的重要结晶。在阿细祭火民俗文化场域中,壁画艺术是在民俗旅游资源开发过程中形成的,它构成了阿细祭火仪式再生产的重要组成部分。红万村的壁画艺术强化了民众的族群记忆与历史认同,弘扬了阿细优秀的传统民族文化,对阿细祭火仪式的再生产具有重要意义,同时对了解当下历史壁画艺术生成意义的表达具有理论价值。

Mural art is a history accumulation, an important rime of a national culture. In the field of folk culture of the A＇xi sacrifice fire, mural art which is formed in the process of folk tourism resources development constitutes the important part of the reproduction of the A＇xi Sacrifice Fire Ritual. Mural art in Hongwan Village strengthens people＇s ethnic group memory and historical identity, carries forward the A＇xi excellent traditional national culture. It has an important significance to the reproduction of the A＇xi Sacrifice Fire Ritual. At the same time, it is of great theoretical significance to understand the current expression of generating historical mural art.