当代书法美学范畴神采与形质研究及展望

Research and Prospect of Calligraphy Spirit and Form in the Aesthetics Category

南齐王僧虔提出"书之妙道,神采为上,形质次之",作为书法美学范畴体系而确立。文章论述当代书法美学范畴神采与形质研究成果,分析了当代书法美学研究从个别范畴的微观研究走向宏观体系研究的发展趋势。提出在"神采与形质研究"的基础上,建立当代书法的审美评价体系,使书法理论与书法创作折射出当代社会多元的文化气息,给当代书法艺术创作注入新的活力,避免古代书法理论与当代书法实践相脱节,促进中国书法的可持续发展。

The theory ＂Spirit is the essence of calligraphy and form is subordinate to it＂ raised by Wang Senqian in Nanqi Dynasty established the system of calligraphy aesthetics category. In this essay the research findings of calligraphy spirit and form in contemporary aesthetics category are discussed. The research trend from individual study to macro system study is analysed. On the basis of the study of calligraphy spirit and form , calligraphy aesthetics evaluation system is constructed .This system makes the calligraphy theories and works reflect the multicultural atmosphere in the contemporary society, energizes the calligraphy creation, connects the ancient calligraphy theory with the contemporary practice and promotes the sustainable development of Chinese calligraphy.