摘要
本雅明的"辩证形象"来源于其前期的"寓言"与"星座"等美学概念,具有视觉文化观照下的历史性与视觉性两个重要审美维度。本雅明在此基础上对现代性史前史进行了深入挖掘,并批判了现存的资本主义弊病。这种"视觉政治"推动了他对"救赎视觉学"的思考与建构。
: Walter Benjamin's "dialectical image" originates from the aesthetic concepts of "fable" and "constellation" of his earlier years, which has two important aesthetic dimensions: historicalness and visuality from the perspective of visual culture. Walter Benjamin excavated the prehistory of modernity, and criticized the existing capitalist disadvantages on this basis. This visual politics promoted his reflections and construction of "redemption of visual learning".
出处
《东方论坛(青岛大学学报)》
2014年第2期113-119,共7页
Eastern Forum(JOURNAL OF QINGDAO UNIVERSITY)
关键词
本雅明
辩证形象
视觉政治
视觉救赎学
历史性
Walter Benjamin
dialectical image
visual politics
redemption of visual learning
historicalness