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石器与思维:原始图像的载体及功能

Stoneware and Thinking:Carrier and Functions of the Original Image
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摘要 图像是主客体互动的视觉产物,是人所特有的认识现象。与动物的使用工具不同,人在创造外在的石器工具同时,也在自己的视觉中创造着图像。在人的认识中,图像的产生过程直接就是思维的发生过程。所以,石器既是原始人类改造自然的手段,也是人类创造性思维的物质凝结。雕塑、装饰品和绘画等造型艺术的产生则是石器生产技术、社会分工以及其他社会需要的产物。 Image is the interactive consequent of subject and object, and the unique visual phenomena of humankind. Distinguished from animals' usage of tools, while creates tools outside his body, human created image in his vision system. In human vision, the process of generation of image is the directive occurrence of human thinking process, so, not only tools is the way of mankind transforming nature, but also is the substance condenses of human creative thinking process. And, such as sculptures, ornaments mad cave paintings, the occunence of plastic arts is the outcome of human production technology, social division of labor mad other social demands. Therefore, the essence of human art is the creativity that originated in the stoneware creating; then, other types of derivational modeling activities gradually possess the meaning of abstract creativity in the progressive development of Arts.
作者 尹德辉
出处 《临沂大学学报》 2014年第2期81-85,共5页 Journal of Linyi University
基金 2012年教育部人文社会科学研究规划基金项目(12YJA760087)
关键词 图像 工具 视觉 艺术 image tools vision art
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