摘要
中国传统书法作品也属于多模态话语,用系统功能语法及在此基础上发展而来的视觉语法理论对《祭侄稿》的章法布局及文义内容进行多模态话语分析,可以揭示图像文字两种符号的表意功能,从一个全新视角解读书法作品。
Traditional Chinese calligraphic work can be regarded as multimodal discourse. A masterpiece named Condolence for My Dear Nephew by Yan Zhenqing in Tang Dynasty is analyzed on the basis of visual grammar from the perspective of social semiotics. The signification of traditional calligraphic work and the meanings conveyed by Chinese characters are explored, and a new perspective to analyze calligraphic work is actualized.
出处
《临沂大学学报》
2014年第2期90-93,共4页
Journal of Linyi University
基金
洛阳市社科规划项目(2013B230)阶段性成果
关键词
多模态话语
社会符号学
《祭侄稿》
multimodal discourse
social semiotics
Condolence for My Dear Nephew