摘要
江鲍体的审美差异分诗歌和辞赋论述,诗歌方面,鲍诗反映社会面深广,江诗思想内容相对贫乏;鲍诗带有民歌气息,流畅自然,多用对答体结构篇章,江诗过于追求语言奇采,字句雕琢的痕迹明显。辞赋方面,江赋"以景化心",鲍赋"以情为里";江赋主旨显得单一,鲍赋则呈多元格局;鲍赋发扬魏晋赋抒情言理特色,多有创新,江赋多模仿骚体赋或汉大赋,创新不足。
In this paper the aesthetic differences of Jiangbao Ti are studied in respect of poetry and Fu(赋). So far as poetry is concerned, Jiang Yan’s poetry with poor ideological content is contrasted with Bao Zhao’s reflecting deep social affairs; with the style of folk songs, Bao’s poetry is largely structured with ask-and answers, and appears smooth and natural, in contrast, Jian’s poetry is too prominently marked with beautiful and polishing words and sentences. With respect to Fu(赋), Jiang’s Fu uses scenes to comfort heart, while Bao’s is mainly based on emotion;the themes are unitary in Jiang’s Fu(赋), while Bao’s Fu expresses multiple themes; Bao’s Fu(赋) carries forward the lyrical and reasoning features of Weijin Fu(赋), having great innovation, whereas Jiang’s imitates Sao and Han Fu(赋), lacking in innovation.
出处
《温州大学学报(社会科学版)》
2014年第3期62-67,共6页
Journal of Wenzhou University:Social Science Edition
关键词
南朝
鲍照
江淹
江鲍体
审美差异
诗歌
辞赋
The Southern Dynasties
Jiang Yan
Bao Zhao
Jiangbao Ti
Aesthetic Difference
Poetry
Fu(赋)