摘要
针对柳宗元律诗作品"峭"之语感特征的成因做了发掘。认为诗人自身的某种性格特质或心境或外在环境的影响在律诗的写作里绝不是决定其作品特征的仅有要素。在这种特殊诗体的写作里,诗人唯有获得这一诗体艺术的表现自觉和相应的驾驭能力,才有可能让自己内在性情里某种特质与诗语表现之间达成相对的默契。而柳宗元受"苦吟派"影响下形成的情景搭配的出新能力恰恰是形成柳诗之"峭"的重要因素。
The paper explores the origins of characteristics of the " steep" style in Liu's verses. It is believed that neither the poet's own personality nor the state of mind or the external environment determines the characteristics of the works. When coimposing verses in "steep" style, the poet must be able to con- sciously understand and correspondingly control the performance of such a poetic art so that harmony could be possibly achieved between certain qualities of his personalities and the performance of poetic languages. Under the influence of Meng Jiao and Jia Dao poetry, Liu, developed the creativity for integrated scenario, which contributed greatly to the causes of the "steep" style in his verses.
出处
《广西民族大学学报(哲学社会科学版)》
CSSCI
北大核心
2014年第3期175-179,共5页
JOURNAL OF GUANGXI MINZU UNIVERSITY:PHILOSOPHY AND SOCIAL SCIENCE EDITION
关键词
柳宗元
律诗
峭
Liu Zongyuan's poem
"steep" style