摘要
作为王尔德本人乃至唯美主义文学的代表作,《道林·格雷的画像》对艺术与美的思索和表达极具风格化,也留下了广阔的阐释空间。结合拉康精神分析学说中的某些理论对其进行文本细读,可以发现隐含于文本结构裂隙处的关于"艺术"、"自恋"、"凝视"、"欲望"等路标,指涉着文本深层结构中的关于"艺术与凝视"、"欲望的在场与缺席"、"自由与表演"之间的微妙关系,这些微妙关系之间产生的张力是对当时西方文学"人"的母题的深化。
As a masterpiece of Oscar Wilde and the Aestheticism literature,The Picture of Dorian Gray is highly stylized in thought and expression about art and beauty. It also left great space for readers to interpret it. When closely read with the aid of Lacanian Psychoanalysis,road signs such as 'art','narcissism','gaze','desire'can be found in the text structure cracks. These road signs refer to the subtle relationship between 'art and gaze','presence and absence of desire','freedom and performance'in the deep structure of the text. The tension between these subtle relationships deepens the mother motif of Man in Western literary tradition at that time.
出处
《浙江社会科学》
CSSCI
北大核心
2014年第6期136-141,97,共7页
Zhejiang Social Sciences
