摘要
清代男风炽烈,此种社会性爱风气浸淫下,士伶身上都不同程度地显示出性别倒错的特征。清代士人的性别倒错可以被理解成一种基于传统审美心理作用下的"中国式的同性恋",其中又错杂了近于古希腊人"两性化"生活方式的特征。而男伶的性别倒错则完全属于强权下的扭曲与异化,他们已经成为当时社会性别体系中的道地的"无家可归者"。
Male homosexuality is prevailed in Qing dynasty, in this background, gender inversion with different magnitude were reflected on scholars. Gender inversion on Scholars in Qing dynasty can be considered as 'Homosexuality of Chinese style' with traditional aesthetic psychology, and complicated with characters of 'androgyny model' of ancient Greece. The female scholar' s gender inversion was the product of distortion andalienation of power politics, they became real 'homeless' in social gender system in that time.
出处
《中华文化论坛》
北大核心
2014年第6期71-76,192,共6页
Journal of Chinese Culture
基金
国家社会科学基金资助项目阶段性成果之一
项目编号为10BZW069
关键词
性别倒错
审美心理
“两性化”特征
空白占据理论
扭曲与异化
Sex reveral
aesthetic psychology
charactersof 'androgyny model'
Blank occupy theory
distortion and alienation.