摘要
通过聚焦品特《归家》中多被忽视的人物特迪,分析其种种行为的矛盾之处,可以发现这一人物的内在特质——身为哲学博士的特迪,实为文明与野蛮的综合体。洞悉其这一特质,便可理解露丝最终"独立"的假象——她获得的权利只是男性社会权力许可而给予的施舍,是麦克斯、特迪一家人心照不宣的阴谋计划下的产物。而这一权力斗争的背后,则隐藏着剧作家对个人身份和社会文明的疑惑和思考。
The role of Teddy in Pinter's The Homecoming is usually underestimated. A focus on his seemingly contradictory behavior will provide an insight into the quality of this character-this professor of philosophy is actually a hybrid of civilization and barbarism. This revelation will help understand the futility of Ruth's "independence"--the rights she acquired were granted within the jurisdiction of the patriarchal society. The whole process of power-giving was schemed by Teddy and his family members. Behind this struggle for power lies Harold Pinter's confusion and reflection about identity and civilization.
出处
《英语研究》
2014年第1期32-37,共6页
English Studies
关键词
《归家》
权力
文明
野蛮
身份
The Homecoming
power
civilization
barbarism
identity