东巴象形文字书法笔法探究——与汉字篆书笔法对比

Research on the Brushwork of Dongba Hieroglyphs Calligraphy-Comparison with the Brushwork of Chinese Zhuan Script

书法笔法的发展经历了从简单到复杂的过程,但丰富的用笔技巧和程式化的笔法理论也会给书法的发展带来束缚,而追求生动、自然的艺术之美,是书法发展的趋势。东巴象形文字书法创作应学习楚简篆书一类墨迹的笔法,追求生动、率意、泼辣、新奇的艺术效果,同时参以用笔随意生动的东巴文礼薄、地契等民间应用文献,避免对劲挺爽利、浑厚凝重、工整匀称的甲骨文、金文和小篆文字的取法,才符合东巴象形文字书法艺术的特质。

The development of technique of writing calligraphy has experienced the process from simpleness to complexity, but the abundant techniques and stylized brushwork theories also restrain the development of calli- graphy, but the development trend of calligraphy is to pursue vivid, natural beauty of art. The calligraphy creation of Dongba hieroglyphs should learn from bamboo slips of Chu pursuing vivid, random, pungent and novel artistic effect to achieve the features of Dongba hieroglyphs, also referring to folk literatures like Dongba ceremony thin, title deed etc. , and avoiding copying Oracle, Jin and XiaoZhuan refreshing, dignified, neat and symmetric.