台湾政治文化社会“乱象”讽喻下的赖声川戏剧美学建构

The Construction of Stan Lai's Dramatic Aesthetics under the Allegory of Political,Cultural and Social “Chaos”in Taiwan

赖声川的戏剧创作在海峡两岸乃至整个世界华语剧场都具有极高的声誉。他的戏剧作品在对台湾社会生态"乱象"的讽喻中,彰显出隐喻性和结构性的交织、荒诞性和严肃性的互文、喜剧性和庄严性的变奏的戏剧审美理念,表达出对当代两岸政治文化场域的独特读解与阐释:在这一场政治文化社会"乱象"之"病"里,"药"就是隐喻在碎裂的戏剧结构中的和谐与统一;就是沉淀在戏谑的轻浮中的严肃和宏大。这是台湾文化在对中华文化寻根、追溯、汇融、对语的过程中,对自我话语和个性的隐秘阐述,但其"趋同"的美学意象建构是明晰而笃定的。

Stan Lai＇s drama creation has enjoyed high reputation not only on both sides of the Taiwan Strait but also in the Chinese theaters across the world. His dramatic works in the allegory of social ecology of Taiwan＇s ＂chaos＂ highlights the dra- matic aesthetic concept that metaphor intertwines with structure, absurdity with seriousness and comedy with solemnity, which gives expression to his particular interpretation of modern political and cultural fields across the Strait, that is, the ＂medicines＂ that we should take in this political, cultural and social ＂chaos＂ or ＂disease＂ are the metaphor of harmony and unity in the fragmentation of the dramatic structure and the seriousness and ambition deposited in frivolity. This is the secret interpretation of self discourse and personality made by Taiwan＇s culture in the process of seeking roots of Chinese culture, retrospection, har- monization and discourse. However, the construction of its aesthetic image of ＂convergence＂ remains clear and certain.