摘要
唐传奇《李娃传》的爱情故事情节存在着由悲剧到喜剧的转换。"李娃对郑生有无真情"的问题无法定论,且与情节的发展之间并无太大关系。出身妓女的李娃懂得遵从唐代"狎妓文化"的潜规则,郑生却试图打破这一点,因而落得悲剧下场。李娃最终与郑生结合,成就喜剧的大团圆结局,是一个从妓女到节妇的转变过程,恰恰体现了作者对封建门阀制度的迎合,而非反抗。
There is a conversion from cothurnus to comedy in the love story Tang Dynasty named The Biography of Liwa. We can not pro-vide a definitive answer for“Is there any true love between Liwa and Zhengsheng?”and that is no impact on the development of the plot. Liwa is a prostitute,she knows that to comply with the unspoken rules of“the culture of going whores”,but Zhengsheng wants to resist it,and then he is abandoned. Finally,Liwa marries with Zhengsheng,there is a conversion from prostitute to vestal virgin about Liwa, it shows that the author agrees with the feudal system,rather than resistance.
出处
《安康学院学报》
2014年第3期59-62,共4页
Journal of Ankang University
关键词
《李娃传》
妓女
节妇
狎妓文化
The Biography of Liwa
prostitute
vestal virgin
the culture of going whoring