跨文化的女性主义:中国女性主义莎学批评

Feminist Cross-cultural:Chinese Feminist Shakespeare Criticism

近20年来莎学研究的女性主义批评作为较有典型性的理论批评方法在国内应用极广。本文通过对研究概况的综述评价、核心论点的阐释分析,以及现存问题的检视探讨三个主要方面对国内女性主义莎评研究现状展开考察,认为女性批评的东方化实践在一定程度上促进了认识论、道德观、爱情观等方面的创新和观念上的突破。但仍存在着阐释循环与观念极限的限制,与西方莎学批评的对话仍存在平台建构的必要。

In recent 20 years, Feminist criticism has become one of the most typical theoretical methods in Shakespeare study in China. In order to understand the specific status of this subject, this article will summarize and evaluate the basic situation of Feminist Shakespeare criticism in China, interpret and analyze the core arguments, and examine the methodology of this theory. After collecting and analyzing these data, we find that although the practice of feminist criticism in east country has promoted the innovation and breakthrough in many aspects, including new epistemology, moral concept, and love concept, the repeat of interpretation and the limit of concepts also exist in our studies. Therefore, constructing the platform to communicate with western Shakespeare criticism is also important and necessary.