张慧:广场

ZHANG HUI:PLAZA

张慧的绘画不提供内容或观赏性,即使我们在他的画布上能看到具象的物体、场景或清晰的笔触,但它们并不指向一个真实世界的清晰轮廓。绘画在此不急于奔向图像作为结果为绘画行为所规定的责任,反而在经验的流露与固化的图像之间停顿下来,以层层覆盖的手工性呈现出绘画所特有的混沌与清晰共存的状态,

The paintings of Zhang Hui oilier neither fulfilling con- tent nor aestheticism, and despite depicting concrete objects and scenes with clear brushstrokes, do not make reference to the real world in any clear way. Instead, his paintings move unhurriedly towards the image as the outcome of the duty stipulated by the act of painting, and stop at the point between the expression of experience and the becoming of the image, as layers of brush- works maniti^st the distinctive chaos and synchronicity of paint- ing as described by Paul C6zanne, to pense en peinture. In reality,