甘肃卓尼藏族“鲁神”图形内涵研究

Study on Connotation Characteristics of Gansu Tibetan God lu Graphics

"鲁神"是以甘肃卓尼藏族地区原始宗教的"万物有灵"思想为基础,以独特的地理环境及宗教文化为依托,经过长期的相互作用与融合,从而形成的具有浓郁地域特征和丰富内涵的艺术形式,它不但凝聚和保留了较多卓尼藏族地区原始文化的特点,而且吸收和融合了包括佛教等在内的其他外来文化因素,可谓兼容并蓄、博采众长。从"鲁神"的核心内涵来看,它不只是展示了卓尼藏族艺术的无限魅力,重要的是体现了卓尼藏族社会重视人与人、人与自然之间和谐发展的理念,也是卓尼藏族地区民众价值观和审美观的集中体现。

Dragon patterns are formed based on animist thoughts prevalent in Co-ne Tibetan-inhabited areas and influenced by the geographical environment,multi-cultural and religious forms there.Through a long-term mutual integration and evolution,they have become an artistic form with strong national and regional characteristics as well as connotations.This artistic form has not only accumulated and retained a lot of primitive cultural features,but also absorbed and integrated more alien cultural elements such as Buddhism.Therefore,it is viewed as an all-inclusive artistic form widely drawn upon the advantages of the others.Its expression form and spiritual connotations reveal the boundless charm of Co-ne Tibetan art.It not only serves as part of major contents in building the harmony between man and man,man and object as well as man and nature in Co-ne Tibetan society,but also embodies people＇s spirits,ideals,values and aesthetic views in Cone Tibetan-inhabited areas.In recent years,the dragon pattern art has received extensive concerns from more and more scholars,and become vital historical materials for the researches on nature,history,politics and culture of Co-ne Tibetan-inhabited areas.