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沃尔海姆美学思想的三个主题 被引量:1

Three Themes of Wollheim's Aesthetics
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摘要 沃尔海姆从艺术批评实践和哲学视野提出美学理论命题,他的视觉美学思想集中在再现论、表现论和旁观者理论三个方面。沃尔海姆的美学理论在当代西方学界产生了巨大的反响和争议,推动了当代美学对视觉艺术的理解。 Based on his artistic criticism and philosophic perspective, Wollheim' s visual aesthetics focuses on three themes: representation, expression and the spectator of the picture. Wallheim' s aesthetic theories aroused heated discussion and controversies, which promotes the understanding of visual arts in contemporary aesthetics.
作者 章辉
出处 《南京社会科学》 CSSCI 北大核心 2014年第6期35-43,共9页 Nanjing Journal of Social Sciences
基金 国家社科基金项目"英国当代美学发展史研究"(11CZX074)的阶段性成果
关键词 看进 表现 旁观者 seeing-in expression the spectator in the picture
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参考文献6

  • 1Richard Wollheim, Painting as an Art, Thames and Hud- son, London 1987, p. 45, p. 46, p. 47, pp. 166 - 168.
  • 2Rob Van Gerwen, edt, Richard Wollheim on the Art of Painting, Cambridge University Press, 2001 ,p. 18,p. 16, pp248 - 249, p. 245,p. 47,p. 216, p. 60,p. 94,p. 156,p. 157,p. 183,p. 206,p. 258,p. 208.
  • 3Bence Nanay, Is Twofoldness Necessary for Representational Seeing? British Journal of Aesthetics, Vol 45 ,No ,3 July 2005.
  • 4Richard Wollheim,The Mind and its Depths,Harvard University Press 1993, p. 152,p. 152,p. 12, p. 157,p. 7,p. 9.
  • 5Richard Wollheim, On Art and the Mind, Harvard University Press 1974, p. 87.
  • 6Richard Wollheim,Art and its Objects, Cambridge University Press, 1980, p. 59,p. 40.

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