朱豹卿的花鸟画及其对文人画的新探索

On Zhu Baoqing's Flower and Bird Painting and His New Probe into Literati Painting

朱豹卿是浙江画坛近年特立突起的重要中国花鸟画家。他由积极入世弘扬主旋律的浙派人物画转而为表现文人高蹈情怀的水墨写意花鸟画家,与其"文革"期间的人生经历有内在关联。他的花鸟画在吸收传统文人画创作思想的基础上,注意吸收民间艺人的创作思想,并结合自己的学院背景吸取西画造型因素,形成了自己的厚重典雅的艺术风格。在文人画自身日趋衰落及新时代对文人画传统进行无情扫荡的背景下,以其一人之力,在其以木本植物为主要题材的花鸟画中,实现了其绘画由学习、独创到证悟三个时期的转换,同时还成就了其人生由外求、内取到自由的三重境界进化,为中国画的文脉得以延续做出了新探索。这正是朱豹卿绘画在当下存在的意义所在。

Zhu Baoqing, who has emerged in recent years in the painting circle of Zhejiang Province, is a signifi cant flower and bird painter in China. The transformation of his artistic style from the figure painting of Zhe school de picting the active keynote of social life to the flower and bird painting presenting the seclusion of scholars is internally connected with his experience during ＂the Cultural Revolution＂. Based on the traditional literati painting, his flower and bird painting learns from folk artists＇ creative thoughts as well as factors of western painting, and features eonno tive and elegant. Given the fact that the literati painting is on the wane in modern times, Zhu manage to realize the transition from learning, creating to apprehending in the flower and bird painting with the theme of woody plants. Meanwhile, he succeeds in the improvement from turning to the outside world, resorting to himself to painting at will, which is a new probe into the continuation of traditional Chinese painting style. It is the very significance of Zhu Baoqing＇ s paintings at present.