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本体回归与现代化追求——近年来中国戏曲的发展与趋向 被引量:2

Reversion and Modern Pursuit of the Noumenon——Development and Trend of Traditional Chinese Opera in Recent Years
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摘要 中国的戏曲既面对着日新月异的时代浪潮和日益紧密的全球联动所带来的严峻挑战,也正在凭借其民族民间文化优秀代表的存在价值获得更多的尊重、敬畏与珍视。本体回归与现代化追求之所以成为近年来中国戏曲发展中两大焦点,既是文化自觉的一重体现,也反映了传统在当下以及未来的生存中诸多矛盾关系的交汇与辩证。 Traditional Chinese opera faces the challenges of the changing of the times and an increasingly tight global connection, and wins the respect, reverence and importance with the value as an outstanding representative of folk culture. Reversion and modern pursuit of the noumenon have become two major focuses of the development of tradi tional Chinese opera in recent years, which shows the cultural consciousness, and reflects the dialectical intersection of contradictory relationships of the tradition survival in the present and the future.
作者 刘祯 江棘
出处 《浙江艺术职业学院学报》 2014年第2期140-144,共5页 Journal of Zhejiang Vocational Academy of Art
关键词 本体回归 现代化 表演理论体系 reversion of the noumenon modernization performing theoretical system
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参考文献2

  • 1白先勇.《牡丹亭》还魂记[M]//白先勇.牡丹还魂.上海:文汇出版社,2004.
  • 2张弘.半树枯槐吊君王[EB/OL].(2012-06-10).http://blog.sina.com.cn/s/blog_4a7f4b4d01015fz2.html.

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