摘要
黄泥鼓乐舞是瑶族传统祭祀仪式"跳盘皇"的主要乐舞。通过实地调查,不仅揭示该乐舞在当代"信仰"与"消费"的互动和妥协中分化成"仪式"与"展演"两种性质的音乐事项,亦阐释经过"再生产"成为舞台艺术时,瑶族如何处理仪式乐舞的信仰禁忌。
Huangni Drum Dance is the main of the oldest sacrificial ritual Panhuang Musical Dance in Yao Ethnic Group. Through investigation, this article not only reveals the truth that Huangni Drum Dance evolves into music items of two natures：ritual and performance in the interaction and compromise of religion and consumption, but also explained how to deal with belief taboo.
出处
《铜陵学院学报》
2014年第2期96-98,110,共4页
Journal of Tongling University
基金
2011年巢湖学院院级课题(XWY-201106)
关键词
瑶族
黄泥鼓乐舞
信仰禁忌
双重变迁
ritual music of yao ethnic group
huangni drum dance
belief taboo
dual lransition
