摘要
唐代补亡诗可以大致分为两类:第一类为有明确历史记载某些作品曾经存在但现已亡佚,诗人据相关记载所创作的诗,如元结《补乐歌十首》等;第二类为没有记载但诗人认为应该有但已亡佚,为此而创作的,如李贺《还自会稽歌》。两类诗歌相比较,前一类主体为四言,所本主要为《诗经》,明显受到儒家观念的影响,艺术性普遍不高,但自有其认识作用。第二类中亡佚诗的时代距诗人所处时代较近,诗句可五七言自由运用,而且与自己情感有相契合之处,个人特色突出,艺术性明显高于前一类。两类诗都各有其独特的历史意义与价值。
The addendum poems of Tang dynasty can be classified into two categories: the first missed in Tang dynasty in historical documents record was rewritten according to the records; the other not in historical documents but poets thought they were, so they were rewritten. The first belongs to four characters without a fairly high artistic standard; the second's standard with their artistic characteristic is obviously higher than the first.
出处
《广东广播电视大学学报》
2014年第3期63-67,共5页
Journal of Guangdong Radio & Television University
关键词
唐代
补亡诗
类别
Tang dynasty
addendum poems
category