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工笔人物画“写意”探究 被引量:1

Meticulous Figure Paintings and “Freehand Brushwork”
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摘要 工笔人物画作为中国画的画种之一,以其独特的艺术表现形式继承着中国传统绘画的艺术特征。随着时代的发展,工笔人物画在审美观念和风格特征上均有所拓展。其中,将中国画的写意性有机运用到工笔人物画当中,是结合当下工笔画艺术功能和文化内涵的精神需要而进行多方位探索的根本途径。藉此摆脱工笔画在一般意义上"写实"、"工整"、"严谨"等思维模式的束缚,激活工笔人物画在当下艺术空间的顽强生命力,从而获得广阔的自由表现空间。 As a kind of Chinese paintings,the meticulous figure painting with its unique art form inherits the artistic characteristics of traditional Chinese paintings. With the development of the times,it has been expanding in the esthetic idea and the style of characteristics. The application of Chinese freehand brushwork in meticulous figure painting is a combination of art features of contemporary figure paintings and cultural connotation of spiritual needs and a fundamental way of multi-directional exploration. To get rid of the fetter of the traditional thinking pattern of"realistic,""good"and"strict"senses,such application can activate the fine brushwork of figure paintings full of tenacious vitality in contemporary art,so as to obtain more freedom space for meticulous figure paintings.
作者 索峰
出处 《湖北第二师范学院学报》 2014年第5期57-59,共3页 Journal of Hubei University of Education
关键词 工笔人物画 写意性 审美情感 meticulous figure painting freehand brushwork aesthetic emotion
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参考文献4

  • 1魏治明.试论当代工笔人物画的写意性[D].合肥:安徽大学,2012.
  • 2徐复观.中国艺术精神(第1版)[M].上海:华东师范大学出版社,2001:152,159.
  • 3唐用力.厚德载物[M].南京:江西美术出版社,2010.
  • 4马蒂斯.画家笔记(第1版)[M].桂林:广西师范大学出版社,2002:101.

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