中国现代性与“新时期”小说的自我认同

The Self-Identification between Chinese Modernity and Novels of the “New Era”

"新时期"小说的自我认同的建构与中国现代性内部的注重悖论和冲突有着密切的内在关联。从"新时期"初期小说将人道主义话语、个人主义话语与人民话语的纠缠,到中期以民族、文化为中心的群体性寻根话语,都是中国现代性及其困境意识在人学和文学两方面的具体表征。作为审美现代性的集中体现,"先锋小说"既是"新启蒙"思潮的深化,又是对它的彻底反叛。"新写实"等"新"字号小说同样显示着中国现代性文化逻辑对主体认同建构的深刻规约。

There has been an inherently intimate link between the construction of self-identification in novels of ＂the new era＂and emphasis on paradoxes and conflicts within Chinese modernity,as is evident by the entanglement of humanism discourse,individualism discourse with the people discourse in early novels of the＂new era＂to their mid-term collective nostalgic discourse centered on nation and culture—the specific representation of Chinese modernity and its dilemma in human studies and literature. As the concentrated reflection of aesthetic modernity,＂vanguard novels＂have both deepened and thoroughly revolted against the＂neo-enlightenment＂ideological trend.Moreover,＂new＂novels of ＂neo-realism＂have also displayed the profound impact of the cultural logic of Chinese modernity on the subject identification construction.