论《围城》的陌生化效果

Defamiliarization Effect of Fortress Besieged

《围城》是中国现代文学史上一部风格独特的讽刺小说,被誉为"新《儒林外史》"。钱钟书充分利用了中国博大精深的文化、韵味无穷的文字,并创造性地与西洋文字相结合,成就了《围城》出色的语言艺术。作品中语言艺术背后潜藏着一种贯穿始终的艺术手法——"陌生化",不仅是语言,更渗透了作者的人生观、世界观,成为一种自我意识,影响着作者的创作始终。本文试图从作家主体意识层次、话语意识层次的陌生化对小说进行分析,更深层次地领略《围城》的深刻意蕴。

Fortress Besieged is an unique style of satirical novel in the modern chinese literature history, hailed as“new The Scholars＆quot;. QIAN Zhong-shu made full use of the broad profound chinease culture, the infinite charm of the characters and creatively combined them with the Western text which made the excellent language art of the Fortress Besieged. There is a throughout kind of artistic technique behind the novel’ s language art--＆quot;defamiliarization＆quot;. It is not only the language, but also more permeated the author＆#39;s outlook on life and on the world so that it became a kind of self-consciousness, affected the author＆#39;s creation. This paper attempts to analyze the novel from the defamiliarization of writer subject consciousness, awareness of discourse level and aesthetic level, deeply appreciate the profound implication of Fortress Besieged.