摘要
《涉江采芙蓉》是作曲家罗忠镕于1979年创作的第一首"中国化"的十二音作品。该曲在严格运用西方序列音乐写作技法的基础上,进行了独具个性的创造,融入了中国民族的五声音调。这种跨时空、跨民族文化的融合,影响了中国音乐的发展。笔者试从序列设计、旋律塑造、调性处理等方面进行方析,以期为我国民族音乐创作提供一些借鉴。
＂Picking Lotus in Wading＂ is the first ＂Sinicized＂ twelve -tone works created by composer Luo Zhong -rong in 1979. On the basis of the strict application of western serial music writing techniques, the song makes the unique creation combined with the Chinese folk pentatonic tune. This cross -temporal and cross -ethnic cultural integration affects the development of Chinese music. The author tries to make an analysis in terms of series design, melodic shape, tone processing, etc. , in order to provide some reference to our national music.
出处
《内蒙古大学艺术学院学报》
2014年第2期64-68,共5页
Journal of Art College of Inner Mongolia University
关键词
涉江采芙蓉
十二音
序列音乐
五声性
＂Picking Lotus in Wading＂
Twelve - tone
Serial music
Pentatonic
