文革后民族歌剧创作的阶段性发展及现状反思

The Development of National Opera Composition at Different Stages after the Cultural Revolution and the Reflection of Its Status Quo

20世纪初，歌剧传入中国，经过几代音乐家的改良创造，如今已形成一种既有西洋歌剧特征又富含民族个性的“中国流派”。文革后，我国民族歌剧创作进入阶段性发展，分析这个时期的民族歌剧作品及其特点，并对民族歌剧的发展现状进行反思。从民族歌剧创作、政府的文化帮扶、培养大众消费习惯、对传统剧目的复排与再加工、舞台表演形式的创新等方面，为中国民族歌剧在市场经济条件下的传承发展提出具有现实意义的建议。

At the beginning of the 20th century, opera was introduced into China. After improved and created by musicians for gen- erations, Chinese School opera has now formed, which has the characteristics of both the West and China. Our national opera com- position has developed at different stages after the Cultural Revolution. The paper focuses on the analysis of works and their features of national opera, and gives a reflection of the status quo of national opera. Some practical advices on how to inherit and develop Chinese national opera in the market economy are put forward from the aspects of national opera composition, the cultural help by go, cernment, the cultivation of the habit of mass consumption, the rehearsal and reprocessing of traditional plays, and innovation of stage performance.