僭越传统的女性言说——凌叔华《花之寺》中的叙述声音

Narrative Form of Women Surpassing Traditional Bondage—The Narrative Voice in Ling Shuhua's The Flower Temple

对于女性作家而言,作者型叙述声音有碍于女性以女性身份发出自己的声音,却有助于女性形成文本的叙述权威。凌叔华对既有的文本常规和主流意识形态,采取了既合作又反抗的姿态,在其代表作《花之寺》中巧妙建立属于女性的文本叙述权威。小说传达了女性人物内心的希望与失望,描写女性内心获取了读者对女性的同情,而深入男性内心则体现了对男权制度的批判。《花之寺》中的文本具有在表面上遵从传统而实质上僭越于传统的双重特征。

For women writers, authorial voice is an obstacle to form female voice in their novels, but it will help women texts acquire the narrative authority. Ling Shuhua takes a contradict attitude of both cooperation and revolt to the existing convention of texts and ma- instream ideology, and establishes female authority in her texts. She conveys the hope and despairs of women characters in her texts, and gains the readers＇ sympathy for traditional women from the description of their hearts, and criticizes the patriarchal system by means of portraying the male＇s souls. There are dual natures of these texts that follow the tradition superficially and surpass it actually.