上海—台北—海外:中国新诗现代化的一种路径——百年中国新诗史中的百岁诗人纪弦

Shanghai-Taipei-Overseas:A Path of the Modernization of Modern Chinese Poetry——100 Years Old Ji Xian in One Hundred Years of History of Chinese New Poetry

纪弦半个多世纪上海—台北—海外的创作构成了中国新诗现代化的一种路径,也开启中国新诗史的一种流动性叙述。上海沦陷时期,他以"诗领土社"的活动聚合起南北诗坛,突破"京""海"对峙,使现代主义诗脉得以延续,而殖民政治的高压强化了他的现代主义诗艺探索。1950年代,纪弦在台湾发起中国新诗史上成就最大的现代诗运动,会合了中国大陆和台湾本土的现代主义诗歌传统,各诗社的论争推进了诗人们在"中国传统"和"善性西化"的文学空间中各有个性的探索,在追求思想自由中对现代和传统的沟通,突破了官方政治意识形态的宰制,延续、丰富了"五四"后中国新诗的传统。而他的海外生涯,使其现代诗主张在冷静的回顾和反省中更为开放,其现代诗创作的生命力也得以全面展现。

Creation of Shanghai-Taipei-Overseas Ji Xian formed a path of the modernization of modern Chinese poetry during more than half a century,he also opened a liquidity narrative in new poetic history.During the fall of Shanghai period,he converge North and South poetry circle during'poetry territory club activities,and breakthrough beijing school and Shanghai school confrontation.High-pressure of political colonization strengthened the modernism poetry exploration.In 1950,Ji Xian launched die biggest achievement of Chinese poetry in the history of modern poetry movement in Taiwan,and joined China and Taiwan native modernism poetic tradition.The Poetry Club debate propulsion research in the Chinese traditional and Goodness of Westernization literature space,in the pursuit of ideas the freedom of modern and traditional communication.His overseas career make the modern poetry view more open in review and reflect,the creation of modern poetry vitality can also fully demonstrate.