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舞蹈身体表达的“主体性”自觉 被引量:4

The “Subjectivity”Consciousness in Dance Body Expression
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摘要 舞蹈对生命的体现意义在于人的主体意识的确立,并在身体表达意识和身体审美意识上不断强化"人"的概念。毫无疑问,这是对舞蹈身体,尤其是对舞蹈身体被视觉权力异化为女性身体及女性形象僵化呈现的文化理想的挑战,同时挑战人们遵从这种"视觉权力"的盲目性。它邀请舞者尤其是女性舞者和他们(她们)自己的"人性"美展开一场个人对话,它告诉所有的舞者,身体之美在于"人性"的张扬,在于人的"主体性"自觉。 The article emphasizes that the artistic quality of " dance" must be determined to retrieve theaesthetic beauty of choreographic body. To begin with, the visual metaphor of body movements would be constructed, and the potential multiple structures would be made to tell the stories of dance works. Thoughtful andaesthetic results would be achieved via a visual summoning mechanism. Attemptable statements have also been made to demonstrate how the choreographers would express their body with effective strategies. Modern choreographers should make more emphasis on the expression of subjectivity. In such process of expression, they should explore the artistic values and cultural significance for choreographic body expression.
作者 徐颃
出处 《北京舞蹈学院学报》 CSSCI 北大核心 2014年第3期48-51,共4页 Journal of Beijing Dance Academy
关键词 舞蹈身体 身体异化 主体性自觉 body of dance the alienation of body subjectivity consciousness
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参考文献4

  • 1西梅尔.现代文化的冲突[M]//刘小枫.现代性中的审美精神.上海:学林出版社,1997:428.
  • 2宋秀葵,李玲.西方女性主义与文学[J].读书,2012(1):120-130. 被引量:4
  • 3邓肯,切尼.邓肯论舞蹈[M].张木楠 译.北京:九州出版社,2006.
  • 4JEAN-PAUL S. Being and Nothingness [ M ]. Hazel E B, Tr. New York : Philosophical Library, 1956 : 380.

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