“形神论”视角下的汉代女乐舞蹈

Controversies on Form and Spirit of the Female Music and Dance of Han Dynasty

"形神论"作为我国古代哲学范畴的核心思想之一,是关于心身关系的重要理论。进入汉代以后,"形神论"衍生到艺术创造之中,赋予艺术作品的"形"以有韵味的"神",具有更多更深层次的美学价值和艺术创新。本文主要探讨的是"形神论"对汉代女乐舞蹈发展的影响,试图通过对汉代女乐舞蹈中"形"与"神"的特征、表现及作用的初步探究,采撷和挖掘汉代女乐舞蹈特有的形神表现,从而更深刻地开掘出汉代舞蹈艺术的独特之美。

As a category of ancient philosophy and the core idea of the important theories, the Controversies on form and spirit are about the relationship between form and spirit. After entering Han Dynasty, the Controversies on form and spirit impacts on art, with more aesthetic value and artistic innovation. This paper attempts to discuss the Controversies on form and spirit with the Han Dynasty female music dance, and includes the relationship with form and spirit of dance. It also tries to find the characters about the Han Dynasty female music dance.