生态文明时代的美学建设

The Construction of Aesthetics in the Age of Eco-civilization: A Dialogue on the Idea of Eco-civilization and Today's Transformation of Chinese Aesthetics

生态美学在21世纪的中国逐步走向兴盛是一种历史时代更替的必然,是生态文明新时代的历史需要。由工业文明到生态文明的文明形态的更替是一种非常重大的经济社会转型,在文化上就是从传统的人类中心主义转向生态人文主义或曰生态整体论,在美学上就是由传统的主体论美学转向生态存在论美学。生态美学并不是以自然科学的生态学为理论基础的,而是以与生态学有着某种联系但却完全不同的生态哲学、特别是海德格尔的生态存在论哲学为其哲学基础的。生态美学讲到最后还是人的境界问题、修养问题、文化高度问题,以及能否做到以审美的态度对待自然生态的问题。

The emergence and flourishing of ecoaesthetics in China in the 21st century is a historical neces-sity responding to the new age of Eco-civilization. The transformation from industrial civilization to eco-civiliza-tion is not only a significant economic and social transformation, but also a transformation from traditional anthro-pocentrism to ecohumanism or ecoholism, and a transformation from traditional aesthetics of subjectivity to aes-thetics of ecological existence. Ecoaesthetics does not take ecology as a natural science as its base, but takes e-cophilosophy related to ecology, especially Heidegger＇s philosophy of ecological existence as its base. Ultimately speaking, ecoaesthetics is issues of the spiritual state and cultivation and aesthetic attitude towards natural ecosys-tem.