摘要
克孜尔石窟保留着大量内容与音乐艺术相关的壁画,几乎占据所有洞窟的一半。石窟伎乐壁画中乐队排列形式主要有中心对称式、零散式和一种特殊的排列形式;壁画中乐器图像使用最多的是弓形箜篌,其次是排箫,再次是五弦琵琶,乐器组合形式主要有弹拨乐器与吹奏乐的组合等。克孜尔石窟伎乐壁画在乐队排列上,强调了欣赏主体所需达到要的艺术魅力;在乐器组合上体现了多偏重于弹弦乐器的特点。
Kizil Grottoes retain many musical and dance murals occupying almost half of all the murals. The band is arranged mainly in a symmetrical, disperse and special fashion. Musical instruments are mostly of arched harps, followed by panpipes and five stringed lutes. Musical instruments are mainly composed of plucked and wind instruments. Kizil Grottoes emphasize the artistic charm the audience demands on in the formation of the band, and on the characteristics of the plucked instruments in the composition of musical instruments.
出处
《新疆大学学报(哲学社会科学版)》
CSSCI
2014年第2期70-74,F0003,共6页
Journal of Xinjiang University(Philosophy and Social Sciences)
基金
新疆维吾尔自治区重点人文社科基地
中亚音乐文化研究中心资助项目"龟兹石窟伎乐壁画中的乐舞组合研究"(XJEDU040913C01)
关键词
克孜尔石窟
伎乐壁画
乐队排列
乐器组合
Kizil Grottoes, Music-player murals, Arrangement of the band, Musical instrument composi-tion