“以心观物”的求真——论现代具象表现绘画的“现象学”定位

Seeking for the Truth by “Observing Objects through Heart”——On the Disposition of “Phenomenology” of Modern Figurative Expressionist Painting

现代主义艺术在经历百年喧闹之后,陷入了自身的困境。20世纪70年代末80年代初。现代具象表现绘画曾在欧洲悄然兴起。90年代始,我国部分画家也开始了对现代具象表现绘画的研究,但这种研究更多地是对绘画表面形式的模仿,理论研究也大多只停留在随感性、手抄式的形式上,对画家个人介绍多,横向比较及纵向分析少。这使得对西方现代具象表现绘画整体定位的理论研究显得尤为迫切。本文正是出于此目的,在通过对现代具象表现绘画的定义范畴、时代背景、发展脉络、哲学理论基础、总体特点及代表画家的个人绘画特色进行了较全面、系统、深入的理论研究后,着重指出现代具象表现绘画是以现象学的方式,构建新的视觉模式,去发现事物的"绝对真实",以心观物,物我相融。因此,它既革新突破了传统写实主义的客观再现,又摆脱了现代派艺术的困境,寻回了绘画艺术本身的价值和意义。而这正体现了现代具象表现绘画的主要成就。希望通过本文对上述问题的论述,能为绘画界进一步明确现代具象表现绘画的研究方向有所帮助,使今后的研究,能在领悟其真谛后将自我性溶入其中,而不是只停留于表面的模仿,使具象表现绘画真正成为自我"心物相印"的载体。

Having experienced noise and excitement of a century,modernist art fell into its dilemma.Modern figurative expressionist painting emerged quietly in Europe around the end of 1970s and early 1980s.Some Chinese painters started to research it since 1990s,but their research mainly was imitation of the superficial form of such painting,and their theoretical research stopped at forms of informal feelings and handwritten style.There were many introductions about the painters,but little horizontal comparison and historical analysis.This makes it urgent to make theoretical research about the total position of western modern figurative painting.With this aim,through overall,systematic and profound theoretic research about the definition diagram,historical background,developing line,philosophic theoretic basis,total character and personal painting character of representative painters of this kind of painting,this thesis emphatically points out that modern figurative expressionist painting is to construct new visual mode and find the 'absolute truth' of objects in the way of phenomenology,to view the object with heart,and to blend the object and the subject.Thus,it can break and reform the objective representation of traditional realism,and also get out of the dilemma of modernist art,and find back the value and meaning of the art of painting itself.Such represents the main achievement of modern figurative expressionist painting.Through the statement above,I hope to provide help for the painting field to make clear the research direction of this painting,and make the research later to put the quality of oneself into it with understanding the truth,but not just stop at the superficial imitation,and make this painting truly become the carrier of the state that 'one's heart and the objects find a perfect response.'