论元人山水散曲与元代山水画的异曲同工之妙

Comments on Similarities between the Prose of Natural Scenery and Painting of Landscape in Yuan Dynasty

中国古代文人崇尚山水之风由来已久,于元代尤为炽烈,并集中表现在描写山水景致的散曲作品和大量山水画作中。由于元代文人生活极为苦闷,对现实充满了无奈与恐惧,使得他们把目光和感情转移到大自然之中,寄情山水,挥毫泼墨。共同的社会感受使个体情感具有了趋同性。相同的时代精神,趋同一致的文人心态,加之"诗画一体"——文学艺术本身的共通性,造就了元代山水散曲与山水画在思想和艺术上的异曲同工之妙。

The ancient Chinese men of letters had long advocated landscape,and this vogue became tremendous in the Yuan Dynasty,focusing on the prose of natural scenery and the painting of landscape. Because the Yuan literati felt much depressed,helpless and horrified,they had to shift their vision and emotion to natural scenery,and gave themselves to it. Common social feelings had the individual emotion move towards convergence. The same spirit of the times,the same mental state of the scholars,and the similarity between literature and art made the prose of natural scenery and painting of landscape in the Yuan Dynasty equally good in thought and art.