追梦的书生与毁梦的时代——翟永明《哀书生》和胡康华《粉墨》的社会历史解读

Dream Chasing Scholars and Dream Destroying Era——Social and Historical Comprehension of Zhai Yongming's Mourn the Scholars and Hu Kanghua's Drama Performers

当代女诗人翟永明的组诗《桃花劫·哀书生》和新疆作家胡康华的长篇小说《粉墨》,以不同的文学形式,分别记录了痴迷于事业的"书生"惨遭迫害的年代:1969和1970。这两部不同体裁的作品揭示了一个共同的社会历史现象,写出了一段不该忘记的历史和这个社会曾经有过的病态。从书生梦断,知识分子集体失语、整个社会良知被屏蔽;到书生梦续,仅有"八个样板戏"和"毛泽东思想宣传队";再到书生梦碎,站错了队再也站不回来,将翟永明笔下的冯喆和胡康华笔下的宁为玉对照起来读,更能体味诗人和作家的不同、诗歌和小说的不同,也更能理解两部不同体裁作品的共同寓意。

The contemporary woman poet Ms. Zhai Yongming and the writer from Xinjiang, Mr. Hu Kanghua, recorded the era of 1969 and 1970 respectively in a set of poems Mourn the Scholars and a novel Drama Performers, when dream chasing scholars were persecuted, Both works reveal a common social and historical phenomenon, presenting a history period that should not be forgotten and the abnormal state that used to exist in our society. Beginning from stop of the scholar＂ dream when all intellectuals chose to be si- lent, to screen of conscience of the whole society, to renewal of the scholar＇ dream when only eight model operas and propaganda team of Mao＇s spirit remained, till breakage of the scholar＇ dream when he never ac- quires a new life due to standing in a wrong queue, Feng Zhe in Ms. Zhai＇s work and Ning Weiyu in Mr. Hu＇s work can be better understood by readers if they read both works. By comparison, readers would be a- ble tO appreciate the difference of poets and writers, poems and novels, and understand the same implication of two works in different styles.