“派称江西”的文学文化考察

Jiangxi Group's Acdamic and Cultral Studies

自吕本中作《江西宗派图》始,诗派作为重要的诗学概念出现,后经过刘克庄、方回等的张目阐发,江西诗派的理论建构逐步完善,不仅在宋代,甚至在整个诗歌史上,形成了言诗者必称江西的传统。历经宋、元、明、清,江西派在诗学领域获得经典地位的同时,其概念范畴也逐渐溢出诗学的单一指向,渗入文、词,甚至画、印等文学艺术领域。清代文献中的江西派已经完全成为一个显扬标榜地域文化的独特符号,甚至作为一种拥有伟大传统的文化资本被不断追叙。从江西派概念的推演泛化过程入手,以探究宗派观念在诗学领域的经典化途径,进而考察其如何被纳入更广泛的文学文化视野的过程。

Since the Diagram of Jiangxi School of Poetry put forward by Lv Benzhong in the Song Dynasty, the School of Poetry appeared and Jiangxi Group was regarded as a poetic concept. Jiangxi School of Poetry＇s far-reaching effect was not just in the history of Song Dynasty＇s poetry but in poetics history. Jiangxi School of Poetry, with diverse meanings, got its classic position in the field of poetics, no longer being as a single concept of poetics. The concept of Jiangxi Group covers many fields, such as stereotyped writing by scholars from Jiangxi in late Ming, a model of painting＇s inditement, or lyric focused on the Jiangxi area. From LiuKezhuang to FangHui, the concept gradually accomplished canonization by constant explaination. Jiangxi Group, as a model not only in literature, but also in culture, was expanded its category. This paper aims to investigate the process of canonization and generalization on the concept of Jiangxi Group as the school of poetry,a poetic concept in the Song Dynasty or Others in the later dynasties from literature to culture.