摘要
宗教改革过程中,路德派重视教会音乐,创造出德语众赞歌和康塔塔等新的音乐形式,会众通过同唱参与到音乐和仪式之中。相比于天主教会封闭的拉丁文音乐和仪式,路德派平信徒能够凭借母语,在音乐中感受和表达信仰,民众参与的过程就是教士权力削减的过程。
In the process of the Re{ormation, the Lutheran thought highly o{ church music and created new music patterns which include Chorale and Cantata so that the congregations could take part in the music and services. In contrast to the inaccessible catholic music and liturgies in Latin, the Lutheran laymen could experience and express their faith in music by means of mother tongue. The process with people＇s participation was one along with decline o{ clergy power.
出处
《德州学院学报》
2014年第3期95-97,110,共4页
Journal of Dezhou University
