从文献纪录到文化诉求——戏曲专题片的嬗变

From Literature Recording to Cultural Appeal

当下大型的戏曲专题片呈现出如下特征:多维度的题材探索,"故事化"的叙事策略以及"相对真实"的创作理念。对文化艺术传承的深入挖掘代替了格尔逊式的纪录,带入创作者价值观的合理介入。戏曲专题片历经单一到多元的发展过程,形态的开放性和文化传播的广度丰富了艺术表现形式,提升了可观性,吸引了更多的观众关注传统戏曲文化,形成了独特的文化审美的特质。但部分专题片将历史文化置于戏曲本体之上,将戏曲艺术淹没于泛泛的历史诉说之中的做法也引发了争议。戏曲专题片在打造文化盛宴之外,直面戏曲艺术真实的生存处境使生命力得以延续。

Nowadays, the large-scale opera series has the following characteristics： multi-dimensional exploration of materials, story-telling narrative strategies and ＂relatively authentic＂ creating ideas. The deep exploration of cultural and artistic traditions has replaced the Gelson-type recording, which has integrated the writer＇s value reasonably. The opera series has undergone the process of development from one to multiple aspects and the opening of forms and breadth of spreading have enriched the artistic forms, attracted more and more people to study traditional opera tradition and shaped the peculiar forms of cultural aesthetics. However, some opera series overstresses the historical culture and drowned opera arts into the general historical accounts, which has aroused controveries in academic field. Therefore, it is of great significance to deal with the actual state of opera arts so as to sustain its living force.