浅析中国本土戏曲角色与动画角色的融合

Analysis of Chinese Local Opera Roles and Integration of Animated Characters

20世纪中后期,中国有很多经典的极富艺术魅力的动画角色一直印在我们的脑海中。像美猴王、葫芦娃、九色鹿、神笔马良、阿凡提等,角色造型风格各异,让人印象深刻。而如今大量动画作品在风格上跟风日美的痕迹,国产动画一定程度上失去了自己原有的民族性风格。进入新世纪,动画创作者开始尝试一些新的艺术手段来创作动画,而中国的传统戏曲具有独特的东方审美价值和艺术魅力,时值今日,动画工作者们一直都在尝试使用各种各样的艺术方式来进行动画创作。中国的戏曲文化博大精深,我们生活在这样一个文化氛围中,创作出具有本土文化特色的戏曲动画和塑造中国戏曲动画角色是万众期待的。

For domestic animated classic roles impression, we seem stuck in the sixties and seventies of last century, When the Chinese animation with its unique style stands in the world of animation on the big stage. Like the Monkey King, gourd, Jiu Selu, Magic Pen Ma Liang, Avanti, etc., role modeling styles, impressive. Today a large number of Japanese animations to follow suit in the style of beauty marks, domestic animation to some extent lost their original nationality style. Entering the new century, the animation creators began to try some new artistic means to create animations, while Chinese traditional opera with a unique oriental aesthetic value and artistic charm, then, how to shape opera animated characters, creating China＇s animation star, both worth the wait and challenging.