摘要
当前艺术实践的多元化更需要美学基本理论的奠基,实践存在论美学是很好的探索。马克思以"实践"概念为核心的唯物主义,是一个回到事物本身的路标,实践美学应在解释学的维度中,把理论基础奠基在对事物本身的探索和思想传统上。实践是人的存在方式,实践主体不是静态的理性主体,但也不是反理性的,而是"非"理性的丰富性。审美活动是实践的核心形态,它建立起自然和自由的桥梁,有自己必然性和独立的空间。实践美学应在存在论上为审美活动奠基。
The pluralism of current artistic practice requires the basic aesthetic theory as its founda-tion while the aesthetics of practiceontology is a good exploration in this field.Marx's concept of“practice”as the core of his materialism is a good approach to “returning to the thing itself”.Aesthetics of practice should absorb the good elements of hermeneutics,with its theoretic foundation on the exploration of the thing itself and the ideological tradition.Practice is the way of human existence,the subj ect of practice is neither simply rational,nor contra-rational,but reveals the richness of “ir-”rationality.Aesthetic activity is the core mode of practice,and builds a bridge between nature and freedom,with its own ontological necessity and independent space.Aesthetics of practice should lay an ontological foundation for aesthetic activities.
出处
《云南师范大学学报(哲学社会科学版)》
CSSCI
北大核心
2014年第4期107-112,共6页
Journal of Yunnan Normal University:Humanities and Social Sciences Edition
关键词
实践
回到事物本身
“非”理性
审美活动
practice
return to the thing itself
“ir-”rationality
aesthetic activity