摘要
二十世纪20年代新诗发轫期,文人学者胡怀琛从理论、批评和创作等方面倡导并践行新旧融合的新诗文体观。胡怀琛将"偏于情"与"能唱"两条视为新诗的本体规定,意在强调新诗的情感与形式两重"诗美"内质。胡怀琛关注的核心问题不是诗的新旧,而是诗的好坏,他提出"新派诗"的理论构想,目的是吸纳新旧两种诗体的优长,同时革除二者的弊端。胡怀琛批改胡适的《尝试集》,意在以"批评"代"理论",从文本细微处打磨新诗艺术。胡怀琛比激进与保守两派学人更能理性看待新旧诗体的赓续嬗变问题,从而为嗣后的新诗文体建设提供方向性启示。
During the initiation of modem poetry in the 20th century 20s, Hu Huaichen, as a famous writer and scholar, has ad- vocated and practised the style of modem poetry with combination of the old and new from the perspectives of theory, criticism and creation and so on. Hu Huaichen regards "lay particular stress on emotion" and "can sing" as ontology of the new rules, intending to emphasize emotion and form as "poetic beauty" of the new literary essence. Hu Huaichen's main concern is not the old and new, but the stand or fall of poem. The purpose he proposed a theory of "new poetry" is to make the most of the advantage and expel the drawbacks of the old and new. Hu Huaichen criticized the Collection of Experimental Writing by Hu Shi and changed poems for him, in order to surrogate "theory" to "criticism" and grind new poetry art from text fine point. Hu Huaichen views the evolution problems of the old and new poetry more rationally than the radical and the conservative scholars, which provide the direction for the stylistic construction of new poetry of later.
出处
《中国文学研究》
CSSCI
北大核心
2014年第3期19-23,共5页
Research of Chinese Literature
基金
中国博士后科学基金项目(2013M531409)
江苏省博士后科研资助计划项目(1301155C)"胡怀琛与转型期新旧文学调和问题研究"
广东省哲学社会科学"十二五"规划项目"胡怀琛文学史料的整理与研究"(GD13XZW06)的阶段性成果
关键词
胡怀琛
新旧融合
新诗
“新派诗”
Hu Huaichen
combination of the old and new
Modem Poetry
"Poems of New Schools"