摘要
当1942年毛泽东《在延安文艺座谈会上的讲话》以党的文艺政策成为解放区文艺创作的最高指导原则,并建构起相对完善的规范机制以后,萧军却与延安革命政权/毛泽东话语保持着某种程度的疏离。他以鲁迅的战斗精神为基点,坚持将自我定位为革命体制下独立的批判知识分子,并秉承着一种基于尊重和关怀个体生命尊严的人道主义立场。作为个案的萧军,既反映出一部分左翼知识分子在革命体制下如何坚持作家、知识分子、个体的独立性的积极尝试,也极为微妙地揭示了身为左翼作家/革命作家的萧军思想中的个人主义的自由主义成分。
In 1942, with Mao Zedong's "Speech in the Yan'an Literature and Art Symposium" as the form of the party's policy of literature and art being the highest guiding principle for literary and artistic creation as well as a relatively complete foundation of specification mechanism, Xiao Jun has always kept a certain distance from Yan'an revolutionary regime/Mao's doctrines. He, on a ba- sis of the fighting spirit of Lu Xun, insists on his own position as a revolutionary intellectual under the system of independent criti- cism who takes a critical stance based on respect and care for the individual life. The case of Xiao Jun not only reflects independently positive attempts of the left-wing intellectuals of adherence to the writers, intellectuals and individuals in revolution system, but also subtly reveals some liberal ideas in some revolutionary writers.
出处
《中国文学研究》
CSSCI
北大核心
2014年第3期80-84,共5页
Research of Chinese Literature
基金
宝鸡文理学院2012年度博士启动项目"四十年代自由主义文学研究"ZK12040的阶段性研究成果
关键词
萧军
鲁迅
知识分子
革命
个人主义
Xiao Jun
Lu Xun
Intellectuals
Revolution
Individualism