自由诗的自由与法度———论艾青中后期诗歌的格律化倾向

Free Verse: Its Freedom and Law ——On Ai Qing′s Turn to Prosody in His Poetry of Middle and Late Periods

百年新诗诗体建设成绩滞后。诗体危机是新诗自身的首要危机。音乐性薄弱是新诗诗体危机的主要环节 ,加强音乐性是新诗自强和走向成熟的必由之路。艾青早期诗歌追求散文化 ,反对音乐性 ;中后期诗歌出现格律化倾向。加强音乐性 ,适当规范自由诗 ,克服其自由化和散文化之弊 ,促进新诗诗体成熟 ,是诗坛泰斗提供给我们的启示。

The cultivation of the New Poetry over the past century has not been fruitful. Crisis of the genre is the first one of the New Poetry itself. Weak musicality is its major part. To strengthen musicality is the only way to improvement and maturity. Ai Qing′s early poems turn to prose and oppose musicality, those of his middle and late writings turn to prosody for musicality. What the master inspires us is the necessity of musicality, conformity to the standards, avoidance of the turn to freedom and prose for the maturity of the genre of the New Verse.