摘要
形象思维与逻辑思维没有不可逾越的鸿沟。两者相辅相成 ,互相对立又互相渗透。在从事文艺创作的过程中 ,作家不但要用形象思维 ,而且要用逻辑思维。运用形象思维 ,可以更好地烘托环境与刻画人物 ,从而使作品获得尽量完美的艺术形式 ;运用逻辑思维 ,可以深化文艺作品的主题思想 ,使作品中的人物富于哲学智慧的闪光 ,并且常常成为文艺作品的筋骨或故事情节发展的环扣。
There is no impassable chasm between thinking in terms of images and logic thinking. Both supplement each other, oppose each other and infiltrate each other. In writing literary and artistic works, writers should apply not only thinking in terms of images but also logic thinking. When thinking in terms of images is applied, characters can be well described and environment be stood out, thus achieving an artistic form as perfect as possible. When logic thinking is applied, the theme of the works can be deepened, making the characters in the works shining in philosophical wisdoms and becoming the backbone of the works or the chains of the development of the plot. Logic thinking realizes its infiltration to various literary and artistic works through different channels.
出处
《湘潭师范学院学报(社会科学版)》
2001年第2期27-31,共5页
Journal of Xiangtan Normal University(Social Science Edition)
基金
国家社会科学基金资助项目! ( 0 0BZX0 31)