摘要
《牡丹亭》在中国爱情戏的老套子中注入了新鲜而 且是深刻的思想内容，体现出那个历史阶段中中国古典戏曲新 的审美取向，而这种取向又是通过杜丽娘独特而新颖的爱情 观来表现的。她要求女人应当得到自己的权力，即对男性的需 要，质言之，就是认为女人天生要有性爱的权利。这中间， 体现着人性或者说人的本能的复苏，这在当时，无异是一种石 破天惊的呐喊与追求。
Penny Pavilion (Mudan Ting)has infuseda fresh and deep idea into t he traditional style of Chinese love operas,expressing the band new aesthetic standard in that history period,which was especially embodied by the main charac ter DU Li－niang's distinctive love concept.She asked for the right she was ent itled to that the female needs the male,or simply to say,women had the natural r ight of sexual love.These showed that the human nature or instinct came back to life;in the feudal society,undoubtedly,it's heart shaking call and pursuit. [
出处
《江西教育学院学报》
2001年第2期17-21,共5页
Journal of Jiangxi Institute of Education
