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论艺术幻觉的审美本质及其在文学创作中的运用

The Aesthetic Essence of Artistic Illusion and Its Application in Literary Creation
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摘要 艺术幻觉类似于生活幻觉,又不同于生活幻觉,它在客观形态和认识习惯上是虚假的、不真实的,但在审美心理上却更真实,它包括创作主体情感的真实和人物“心造”的真实,这种真实性来自于艺术创作心理,是一种不合常态的变态心理,它是原始思维在艺术创作中的形式积淀。作家和作品人物遵循“人我不分,推已及人”和“物我一体,推已及物”的原则,在审美接受活动中,幻觉性意象服从艺术传达的“可信性”和“可接受性”,具有生理心理学上的科学依据。 Artistic illusion comes from the illusion of life, but rather different from it Artistic illusion is false in the objective pattern and the cognitive habit, it is, however, actually in existance from the perspective of psychological appreciation. This truthfulness, originating from the creative mind of art, implies the reality in creatcivity of subject feeling and figure. Artistic illusion is the unappropriate mind and the condensation of primitive thoughts in artistic creation. The writer and the works figure are according to the principle of the subject and object mixed together. The hallucinate imagery submits 'the feasibility' and 'the receptivity, in the receivery of aesthetic activities, and this has the scientific basis in the physiology and psychology.
作者 王永葆
出处 《甘肃教育学院学报(社会科学版)》 2001年第3期32-35,共4页 Journal of Gansu Education College(Social Sciences)
关键词 艺术幻觉 真实性 变态心理 可接受性 审美心理 审美本质 文学创作 艺术创作心理 artistic illusion truthfulness psychopathology the receptivity application
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