整体性思维方式与中国古代文学审美特质

The Mode of Entire Thinking and Chinese Ancient Literature of Aesthetic Characteristic

中国人对宇宙、生命的整体性思维方式，集中而典型地体现于意境的实践和理论中，意境完美地解决了整体性主观外化的难题，它是荣格所谓的同步原理最生动的体现，是将主、客观内容一体化的审美图式，因其具有最丰厚的审美信息而成为一种超级审美负荷体，这表明人类智能发展在审美领域里完全由量的精度向质的活性飞跃。

Summary:The mode of entire thinking that Chinese people hold to the universe and life is reflected concentractedly and typically in the practice of conception and theory. Conception perfectly solves the entire subjective problems.It is the liveliest reflection of the so-called synchronisitic principle by Carl.G, and it is an aesthetic pattern that merges subjective content and objective content into an organic whole, because it has the thickest aesthetic informaton and becomes a kind of superaesthetic load.This means that the development of mankind's intellectual faculties is an active leap from quantitative precison to quanlity in aesthetic field.