摘要
本文对全国“篆刻学”发展战略研讨会所提出的新课题、所获得的研讨成果作了全面总结:一、对篆刻的展览方式提出了大胆的学术质疑,表明了进一步澄清的需要;二、对篆刻创作手段的规定提出了新思考;三、对篆刻生存环境提出了新思考;四、对篆刻艺术的“主体”部分提出了质疑。最后,对篆刻艺术在当代的发展作了全面的思考与展望。
This article sums up comprehensively some new study questions and discussion results from the developing strategy seminar of the seal-cutting subject. First,the seminar bravely raises an academic query to the exhibition ways of seal-cutting and makes known a need for furth clarification; second, it puts forward a new thinking for stipulations of seal-cutting's creative techniques; third, it brings up a new thinking for seal-cutting's vivosphere; fourth, it raises a query to main body of seal-cutting arts;and last,it gives an overall thinking and prospect to seal-cutting arts in its present-day's development.
出处
《甘肃教育学院学报(社会科学版)》
2001年第3期43-47,共5页
Journal of Gansu Education College(Social Sciences)
关键词
篆刻学
展览方式
创作手段
学科建设
篆刻艺术
seal-cutting subject
exhibition ways
creative techniques
vivosphere, main body