审美现代性批判──法兰克福学派与转型期中国美学的本体论阐释

A criticism of Aesthetic Modernity: An ontologic explanation of Frankfurt School and Chinese Aesthetics in the Transforming Period

从审美本体论角度看法兰克福学派与转型期中国美学有着密切的现代性关联。从历时的角度看，二者的现代性进程存在着大致相同的理论走向，即从审美感性优先性的推崇走向对审美主义的批判，并重估理性的历史价值。从共时的角度看，法兰克福学派与转型期中国美学都面临着审美现代性的悖论困境。

This paper tries to focus on aesthetic modernity relevance between the Frankfurt School and China in the tranforming period from perspective of aesthetic ontology. From the chronological description of their modernization process we can find there existed a common theory trend. namely from the praise of priority to aesthetic sentiment to the criticism of aestheticism and revaluation of the value of reason. As a conclusion, the paradox of aesthetic modernity is a dilemma which the Frankfurt School and Chinese aesthetics in the transforming period commonly confronted.