摘要
王士祯的“神韵说”在中国诗学史上占有重要的地位 ,但对于“神韵说”与“兴”的关系 ,学术界一直没有给予应有的重视。“兴”是“神韵说”的理论核心 ,而“神韵说”乃是对作为中华民族基本艺术思维方式之一的“兴”
Wang Shi zhen's 'theory of verve' with an important position in the history of Chinese poetry and was highly valued by scholars in the past. However, proper attention has not been attached to its association in the academic circle. With Xing as its heart, the theory of verve is a brand new theoretical summary and association, one of the basic ways of artistic thinking of Chinese people.
出处
《淮阴师范学院学报(哲学社会科学版)》
2001年第3期369-373,共5页
Journal of Huaiyin Teachers College(Social Sciences Edition)